Workshop
Beginning step to Grip for Film & TV
Held in Los Angeles and Limited to 6 People….$250
Interesting Article to Read
How to Become a Grip for Film & TV?
Why Choose This Workshop?
Are you a Production Assistant, student or simply inexperienced in production looking to enhance your skills and value on set? This workshop will help you along your career path.
This is a workshop to teach you about the gear found in the grip truck that carries all the light stands, apple boxes, sand bags, reflectors, lighting instruments, power cables, even camera gear used to create cinema production.
While larger productions may adhere strictly to department and union rules, smaller projects—like corporate shoots, documentaries or indie films—often require crew members who can adapt and take on multiple roles. This flexibility is essential for completing the shoot efficiently and safely. This workshop will help you gain knowledge with this gear and protocols on set.
At anytime on a shoot, there could be moment of All hands on deck! By being proactive and demonstrating your understanding of the equipment being used, you can lend a hand. It’s good to be a helpful crew member, plus this could make you stand out to people on a production that could influence you getting on the next gig.
Who Should Attend?
This workshop is perfect for anyone looking to gain a better understanding of filmmaking tool and equipment. While entry-level positions can provide valuable opportunities, having knowledge of the gear we use, this should significantly accelerate your advancement.
Everyone from Production Managers, Gaffers, Key Grips, Director of Photography, Producers and Directors always like to have their A team with them on future projects. This workshop is one step to get on someone’s A list.
Benefits?
In-Depth Knowledge of G&E Equipment: Gain detailed insights into grip and electric lighting, as well as some camera department equipment.
Increased Job Opportunities: When you demonstrate your helpfulness and expertise, department heads are more likely to request your assistance on future shoots. It’s often about who you know, and those who contribute effectively that will stand out.
Cross-Departmental Opportunities: This workshop can open doors to roles in various departments within the film industry.
Enhanced Job Satisfaction: You'll find your work to be more enjoyable and fulfilling as you build your skill set.
Access to Larger Productions: As you improve your abilities, you'll have the chance to work on bigger and more exciting projects.
Higher Earning Potential: With greater skills and experience, you may also see an increase in your pay. Nothing wrong with that!
What to Expect in This One-Day Experience?
This is a hands-on outdoor workshop, so be sure to bring your sunscreen, hat, gloves, and even kneepads if you have them. Pen and notepad also handy.
The day will include plenty of discussions about real productions and the different types of gear used on shoots, ranging from small to large-scale projects.
We'll kick off by unloading a complete grip truck, followed by demonstrations and discussions on the purpose and functions of each piece of equipment.
Participants will unpack and repack various lighting instruments while receiving an overview of their use.
You’ll also learn the correct terminology, how to safely carry, set up, and strike equipment, including the infamous coiling of cables as we reload the truck.
Additionally, we’ll cover what to watch for during a shoot, along with important safety protocols to follow while on set or transporting gear.
The workshop lasts about 9 hours including a lunch break. Coffee and water is provided and lunch will be ordered in.
Who Is Teaching This Workshop?
Wes Dorman, a Director of Photography and Camera Operator, brings over 40 years of experience in the industry. Originally from the San Francisco Bay Area, he now lives and works in Los Angeles. Wes is the owner of CineKits.com, a digital cinema and lighting rental company.
Primarily a documentary shooter, he has traveled extensively both nationally and internationally, working with numerous major networks, streaming platforms, cable channels, and corporate clients. His diverse production background ranges from lighting single-camera interviews to large-scale recreations and factual productions involving extensive gear and crew.
Recent notable projects include many National Geographic shows including all seasons of The Story of God and The Story of Us with Morgan Freeman, Netflix series Unsolved Mysteries and airing in 2025 Investigation Discovery’s 5 episode follow doc of the Karen Read Trial.
Beware, during the workshop, Wes will do most of the talking, and participants will do all of the hands-on work! It will be worth it.
Wes’s IMDB link
